Features: 48bit double precision, dithered to 24bit output for TDM, Lookahead peak limiter for maximum level, Two types of dither Three noise-shaping curves for optimal control, Maximum peak control with minimum distortion, Requantize to 24, 20, 16, 12, and 8-bit output, Sample-accurate peak hold metering, Adjustable release time

Applications: Create maximum levels for CD's and multimedia, Use as final audio processor in mastering, Maximize audio level and resolution, Minimize quantization noise, Create 20-bit files with 23-bit perceived signal to noise, Create 16-bit files with 19-bit perceived signal to noise, Create 8-bit files with 11-bit perceived signal to noise.

The L1 Ultramaximizer is a monster! It truly creates hot yet pleasant sounding final masters that will put your songs in the league of the big boys! It is a must have plugin!

The C4 Multiband Parametric Processor has 4 band up and down expansion, limiting, compression, plus dynamic and standard EQ. Compress the bass, expand the mid, De-ess the highs, EQ the air, all with complete understanding and control. No tiny LCD screens or confusing menus. Pure multiband power. Instant gratification. Each band of the C4 includes threshold, range, attack, release, and gain. Crossover has independent bandwidth control and global Q adjustment. This unmatched flexibility allows highly different functions in each band simultaneously. For example, you can compress the lows, expand the low-mids, add fixed gain to the upper mids (with no dynamic change), and limit the highs, all at once. The combinations are staggering and give you the ultimate in tonal control.

Features: 4 fully-parametric bands for any combo of compression, expansion, limiting or EQ, ARC™--Waves patented Auto-Release Control TechnologyTrue Parametric control including independent threshold, range, gain, attack, release and bandwidth per band, DynamicLine™ display shows all parameters simultaneously, with exclusive Waves select-and-drag capabilities, Global variable slope (Q) control.

The Renaissance Reverberator. Classic sound and controls for the demands of everyday production. Designed to be musical, not technical, Renaissance processors have clean and simple interfaces that are ultra functional with minimal clutter. The Renaissance Reverberator is the newest addition to the series, and is as easy to use as any classic processor with just a few straightforward controls and simple interfaces. It features rich reverb tails, plus a second generation early reflection system, providing density and texture.

Renaissance Reverb is a sweet reverb with lots of great presets! A great addition to this bundle!

Exceptional compressor with Opto and Electro modes, plus ARC™ auto-release, and L1 style limiter on output. When you use Renaissance Compressor, you can: Get a hard punch from any solo track using Opto compression-mode. Get in-your-face vocal and instrumental processing using Electro compression-mode. Add up to 6dB or more to the output, maximizing levels with minimum distortion using a new no-clip 'brick-wall' internal limiter. Produce a warm rich sound using a 'Warm' character setting that adds low frequency harmonics to the original signal. Designed to be musical, not technical, Renaissance Compressor has a clean and simple interface, rather than an emulation of hardware controls.

Features: 56bit precision dithered to 24bit output for TDM, Opto-compression-mode - emulates opto-coupled hardware compressors. Ideal for mastering or submix compression. Electro compression-mode - allows deep compression by increasing release times at high attenuation levels. Ideal for in-your-face vocal or instrument processing! No-clip 'brick-wall' internal limiter - add up to 6dB or more to the output, maximizing levels with minimum distortion. Warm character setting - add low frequency harmonics while approaching deeper compression to produce a warm, rich sound. ARC (Automatic Release Control) technology delivers greater RMS levels. Comprehensive factory presets.

Renaissance Equalizer. Vintage EQ for rich, clear equalization. It has Michael Gerzon and Baxandall filter-curves that emulate the warm sounds of analog vintage-style EQ filters. If you have a slightly dull or flat track, during final mastering you can tweak the edges and really breathe some life into it.

Waves innovative standard functions allow simultaneous multi-parameter adjustment, so if you design a filter-curve that you like, you can select all bands and adjust them all together while maintaining the curve. It includes real-time graphing, preview, bypass functions and all with just a few intuitive clicks.

MaxxBass. An unparalleled (and patented) mixing and mastering tool. Maximum bass response from any system is in your hands. Now 88.2/96kHz-ready for many native platforms!

Push the low-end capabilities of your speakers to the maximum. Creatively add bass harmonics to extend perceived bass response. For mastering or mixing, MaxxBass delicately sharpens the bass without blurring other musical instruments. MaxxBass patent pending technology takes your bass to the maximum on more speaker sizes, from any source, by adding a series of harmonics to the signal.

These harmonics stimulate a psychoacoustic bass-enhancing effect – a phenomenon that small speakers rely on to play audible bass. MaxxBass simply maximizes this known acoustical phenomenon.

Thus bass frequencies are greatly enhanced without traditional EQ or bass compression. Taken to the extreme, you can actually remove the original bass signal completely and the ear will still "capture" the fundamental from the added harmonics.

MaxxBass helps you hear better bass on all speakers, from your full-range to your laptop. Whether for mastering enhancements or site-specific mixing, your ears will perceive an amazing low end.

Q10 ParaGraphic EQ: The world's most powerful equalizer, even used by other designers to design their EQs. 200+ audio effects and processes in the setup library, from SuperNotches to precision mastering.

The Q10 provides precision control of equalization from subtle adjustments to extreme complex filters. Ideal for any aspect of audio production. Q10 works in mono/stereo, and with 1 to 10 bands of equalization. For instance, place 2 bands of mono parametric EQ on 30 tracks.

Setup library with over 200 setups including: PseudoStereo, Brickwall bandlimiting, SuperParametric, SuperNotch, Baxandall, Psychoacoustic noise filters, Telephone, AM, Multimedia and many more!

S1 Stereo Imager: True Blumlein shuffling, MS/LR procesing, four unique stereo-image tools, unequaled anywhere. Now 88.2/96kHz-ready for many native platforms and 48bit double precision, dithered to 24bit output for TDM! The S1 is a unique set of tools for remastering stereo mixes by enhancing and altering the stereo effect, designed for whenever the best stereo effect from a stereo track, mix or recording is required for mixing, mastering or remix applications.

Enhances stereo spatial effect, Remixing and rebalancing existing stereo mixes for remastering, Retains mono compatibility, Avoids phasiness effects, No alterations of tonal quality; no unwanted added effects, Simply brings out what is already there in the stereo mix

C1 Parametric Compander: The ultimate one band dynamic equalizer, and father of the C 4. Select any frequency range, then compress, expand, limit, or gate those frequencies. Simply an astonishing dynamic EQ, with phase compensation for transparency and quality.

The C1 is a frequency-selective dynamic processor allowing two simultaneous dynamic processes. It is an expert tool for any application requiring compression, expansion or gating. Select any frequency range, then apply a dynamic process to that range, or use as a traditional wideband device. C1 offers mono and stereo capabilities of the compressor and/or the gate. Now the C1comp and C1gate also offer 88.2/96kHz support!

Trueverb. One of the best room emulations in existence, with exclusive distance control. Define the room, choose your seat!

TrueVerb combines two separate modules - an Early Reflections simulator, and a Reverb - to produce a high quality, natural-sounding room effect. The user can define the room size, its decay time and frequency response, and, most uniquely, the distance (beyond the speakers!) to the sound source.

A design driven by psychoacoustic research gives TrueVerb its very convincing, yet uncolored sound. TrueVerb is specially designed for the multi-channel mixing environment. It will not change the original signal's stereo image, and will not alter the perceived level balance of the mix.

Creates more natural sounding rooms. Will not distort stereo imaging information. Will not alter mix balance. Position sounds in space according to psychoacoustic rules. Enhanced control over reverb characteristics. Simple and persuasive control over sound distance illusion. Informative & convenient interface. Wide range of frequency characteristics. Convenient storage and recall of setups. New types of reverb sounds. Allows for dense audio effects.

Low coloration reverberation and early reflection. Stereo compatibility. Constant perceived sound level. Novel distance control. Separate distance & reverb controls. Linked distance & reverb mode. Editable time response display. Editable frequency response display. New setup filing mechanism. Space dimensional control. Variational control.

DeEsser. Precision high frequency dynamic processor, modeled after vintage gear for fast, easy de-ess ing/HF limiting. Now 88.2/96kHz-ready for many native platforms!

Isolate and attenuate specific high frequencies. Can be applied lightly to a wide variety of mixes producing great sounding results. The ideal audio plug-in for attenuating high frequency ‘ess’ sounds - perfect for editing solo vocal takes and instrumentals. Using simple controls and dynamic graphic interface, either BandPass or HighPass SideChain filter-modes can be selected to isolate specific 'ess' sounds for attenuation. Factory presets are included for male and female voices, including wide and narrow focus for "ess" and "shh" sounds.

DeEsser's low CPU requirements make it super-quick and easy to use. It includes sharp filters in the SideChain, an energy detector hard knee compressor and a crossover filter. DeEsser features wideband or split audio-modes for attenuating either the entire audio or just high range frequencies.

AudioTrack. The original channel insert with 4-band, fully parametric, EQ, compressor, and gate, all in one space-saving window, now 88.2/96kHz-ready for many native platforms! This is ideal for multimedia producers, voiceover, project studios, and more. Unbelievably efficient on any system, with undeniable quality!

AudioTrack's EQ is a true fully parametric 4-band EQ, with bell, shelf, and highpass/lowpass filters, all taken from the design of our famous Q10 equalizer. AudioTrack's Compressor includes expander ratios, plus a "one-hand" Autogain feature. The noise-gate removes background noise from voiceovers and more. And as a cherry on top, AudioTrack has excellent factory presets for producers in a hurry (who isn't?).

PAZ: Realtime analyzer based on our hearing, shows 52 or 68 bands, with RMS, peak, weighting, variable integration time, and much more. Built on the math that the ear uses...See what you've been hearing!

Perfect for mastering, trouble-shooting, environmental analysis and more. See more of what your audio is really made of. See peak or RMS frequency content and levels quickly. Includes a Stereo Position Display for evaluating the 'spread' of the source. PAZ uses wavelet techniques (as opposed to FFTs) to provide users with optimal graphic accuracy. Individual bands update independently for the fastest response and consequently increased accuracy and resolution.

PAZ offers two distinctive real-time audio-analysis displays in addition to Peak/RMS metering: A distinctive continuous-graph Frequency Display - showing 52 bands most closely resembling the ear's constant Q critical frequency bands. A wavelet-based real-time analysis including RMS or Peak modes with dual channel or total-stereo-energy graphing from DC to Nyquist, and unweighted, C- and A- weighting modes. Optional resolution in 10Hz steps can be shown for precise analysis below 250Hz for a total of 68 bands. The display can be zoomed into any area of the graph, all the way to -80dBFS. Level analysis can be saved to a text file.

Doppler. Create real-time doppler effects, both realistic and "outside the box".

Waves Doppler gives you auto and manual triggering modes, plus full control of air damping, panning, pitch, path curve, gain, start/stop points, and reverb tail.

Enigma. Somewhat mysterious, totally innovative, Enigma is a completely new tool.

Ideal for creation of creative filtering, it combines a complex notch filter system, short delay feedback loops, and modulation. Absolutely distinctive.

Definitely Enigmatic.

MetaFlanger produces vintage tape-flanging, phaser-emulation, and special effects like no other flanger, ever.

Create gentle choruses, sharp phasing effects and a variety of true dual-delay flanging sounds quickly. The wet signal includes filters so you can flange or phase just part of the signal (and they are FIR filters for absolutely perfect harmonic alignment). Wow. Harmonic Convergence in a plug-in.Also features phase inversions at all key points, extensive factory presets of vintage emulations (Mutron, MXR, Itchycoo Park) and more.

MondoMod. A very unique combo of linked modulators: AM, FM, and Rotation (stereo panning), for gentle wandering guitar solo panning or bizarre destructive effects, all in one plug-in.

A single LFO drives all modulators with independent phase offsets between the modulator signals. Wacky, pulverizing, but still sensitive and totally unique, MondoMod throws a wrench into the works just when you need it.

SuperTap. Six taps with up to six seconds of mono or true stereo delay. Each tap includes independent Q10-style filtering, rotation (stereo panning), gain, and precision time control. Global LFO modulation and 2 feedback modes greatly expand the possibilities. Waves unique Rotation control on the feedback section can make each repetition progressively shift through (and outside) the entire stereo image.

Set either the tempo or pattern using the Tap Pad; set your delays using standard note values or milliseconds. Precision Ampex 440 head spacing delays, killer factory presets, etc. It's the Mother of Delays. (And Native users have the full 6 second delays *with* modulation).

UltraPitch. An incredible formant-corrected pitch shifter with 6-voices (yes, *six*). All pitch shifting is done with optional formant-correction to avoid the old chipmunk effect, or for excellent gender-bending.

Make a guy into a girl, or an alto sax into a tenor, etc. Each voice has independent stereo panning and delay, plus a little Animator delay-randomizer. Set the pitchshift by musical intervals (with 5 cent resolution), plus the formant mapping can be fully manual or you can use the presets that perfectly match instrumental formant responses.

UltraPitch can create huge and thick stereo chorusing, doubling, parallel harmonies, excellent vocal slap/spread effects, and much more! The factory presets include classic setups for instruments, voices, plus some rather "outside the box" effects.

Check out some of our loop manglings with WAVES on some Rebirth Loops.

rebirth-circuit-133-01-mondo1.mp3 29k rebirth-circuit-133-01-mondo2.mp3 29k rebirth-circuit-133-01.mp3 ORIGINAL 29k rebirth-rb-133-01-enigma1.mp3 29k rebirth-rb-133-01-enigma2.mp3 57k rebirth-rb-133-01-mondo1.mp3 29k rebirth-rb-133-01-mondo2.mp3 29k rebirth-rb-133-01.mp3 ORIGINAL 29k rebirth-redstripe-133-01-enigma1.mp3 29k rebirth-redstripe-133-01-enigma2.mp3 57k rebirth-redstripe-133-01-enigma3.mp3 57k rebirth-redstripe-133-01-enigma4.mp3 57k rebirth-redstripe-133-01.mp3 ORIGINAL 29k rebirth-redstripe-133-02-supertap1.mp3 57k rebirth-redstripe-133-02-supertap2.mp3 57k rebirth-redstripe-133-02.mp3 ORIGINAL 29k

Files that are dry and uneffected are designated as ORIGINAL.

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